In this silk painting, two Tang-dynasty riders travel through a spring forest.Figures and tree shadows are rendered with a meticulous, interwoven brushwork that creates intentional displacement between forms. Layers of natural mineral pigments gently overlap, allowing bodies and branches to merge through the gaps of foreground and distance, giving the scene a surreal, time-fleeting quality.Ancient travelers and contemporary visual sensibilities coexist within the composition, as if two phantoms were passing through a thousand years—appearing for a brief moment amid the forest, then vanishing.

“In the dawn of 2026—the Year of the  Horse—every stride leads toward brilliance, propelling a journey of soaring renewal and infinite possibility across the soaring clouds.”

此件絹本作品中勾繪兩位唐人騎馬踏行於春林，人物與樹影以工筆穿透之法相互錯位。礦物色輕疊，使身形與林木在前後縫隙間交融，呈現如時光掠影般的超現實氣息。古代行旅與當代視覺在畫面中並置，彷彿兩道幻影穿越千載，於林間一瞬而逝。

“春林新霽，翠染幽徑；雙駒踏影，輕掃微塵。

一騎披丹霞，凌破曉色；一人懷碧意，映照晴林。

光華翻疊，幻迷行跡；影態錯陳，虛實動心。

回首間，已忘來時路；憑長風萬里，頓豁胸襟。

正逢丙午開新運，馬蹄所向盡光明。

前程浩蕩隨風起，雲路高騫萬象新。”